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 Collective Identity and Australian Feminist Activism. Conceptualising a Third Wave
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Collective Identity and Australian Feminist Activism. Conceptualising a Third Wave

автор Sarah M. издательство Книга по Требованию Книги
Cтраниц 272        мягкая обложка       
Аннотация:This book addresses this question of conflict in social movements head on. Using the Australian women? s movement as a case study, the book makes a radical departure from much previous social movement theorising. Here, conflict between activists is seen as a significant and productive part of social movement activity and of feminist collective identity. Conflict in social movements is too often misunderstood as being an indication of a movement? s impending demise rather than as important, reflexive work that allows movements to renew themselves. Through an understanding of conflict as an essential part of their collective identities, generations of feminists are encouraged to conceptualise a new wave of activism. Using original research with contemporary young feminists, the book re-visions conflict as a potentially productive force; one that, if managed carefully, has the capacity to enhance activists? conceptual clarity, allowing them to imagine new forms of social existence and develop new strategies and tactics.
Автор: Sarah M.
Издательство: Книга по Требованию
Год:2008
Цена:
3233 руб
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Поиск: Collective Identity and Australian Feminist Activism. Conceptualising a Third Wave



Группа Блумсбери. Творчество Вирджинии Вулф

Во второй части внешнее объективное время дает о себе знать в отдельных эпизодах, касающихся жизни родственников и друзей миссис Рэмзей, которые умерли во время войны. Так, через ее мысли, ассоциации, с помощью памяти в роман постепенно и незаметно входит большая жизнь, вводящая тему времени. Тема маяка тоже своеобразна, она, получает окончательное разрешение в финале романа-сонаты. Маяк — символ, объединяющий разрозненные мысли и эпизоды в целое. Глава V. Третий этап творчества Вирджинии Вулф (1928 – 1941). В третий этап творчества (1928—1941) были созданы «Орландо» ("Оrla do", 1928), «Волны» ("Тhe Waves", 1931), «Годы» ("Тhe Yеars", 1937) и «Между актами» ("Ве wee he Ac s", 1941). Пример импрессионистической техники письма, сопряженный с психологическим исследованием нескольких потоков мыслей,— роман «Волны». Каждой ступени эволюции сознания от детства к старости соответствует определенная форма выражения: более образная и выраженная лексически ограниченными средствами характерна для детского восприятия действительности, более усложненная — для взрослого.
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