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 From Script to Screen Daniel Falconer takes fans from storyboard concepts to deep into the post-production process where the films were edited, graded, and scored,
Наименование:

From Script to Screen: Middle-Earth: Building the World of The Lord of the Rings and The Hobbit

автор Falconer D. издательство HarperCollins Publishers Литература на английском языке – прекрасный вариант не терять время
Cтраниц 512        твердый переплет       
Аннотация:Daniel Falconer takes fans from storyboard concepts to deep into the post-production process where the films were edited, graded, and scored, explaining in depth how each enhanced the films. For the first time ever, the epic, in-depth story of the creation of one of the most famous fantasy worlds ever imagined, a richly illustrated compendium that reveals the breathtaking craftsmanship, artistry, and technology behind the magical Middle-earth of The Lord of the Rings and The Hobbit Motion Picture Trilogies, directed by Peter Jackson. Middle-Earth: From Script to Screen tells the complete story of how J. R. R. Tolkien s magic world was brought to vivid life on the big screen in the record-breaking film trilogies The Lord of the Rings Motion Picture Trilogy and The Hobbit Motion Picture Trilogy. He also discusses how the processes involved in establishing Middle-earth for the screen have evolved over the fifteen years between the start and finish of the trilogies. Illustrated with final film imagery, behind-the-scenes pictures and conceptual artwork, including places not seen in the final films, this monumental compilation offers unique and far-reaching insights into the creation of the world we know and love as Middle-earth. Drawing on resources, stories, and content from the archives of the companies and individuals behind the films, much of which have never appeared in print before, as well as interviews with director Peter Jackson and key members of the Art Department, Shooting Crews, Park Road Post, and Weta Digital teams who share their personal insights on the creative process, this astonishing resource reveals: How the worlds were built, brick by brick and pixel by pixel;How environments were extended digitally or imagined entirely as computer generated spaces;How the multiple shooting units functioned;How cast members and characters interacted with their environments. From Script to Screen describes how each area created for the films was defined, what made it unique, and what role it played in the stories. Going region by region and culture by culture in this fantasy realm, Middle-Earth:
Автор: Falconer D.
Издательство: HarperCollins Publishers
Год:2017
Цена:
4356 руб
Нет в наличии
Поиск: From Script to Screen: Middle-Earth: Building the World of The Lord of the Rings and The Hobbit
НОВЫЙ ГОД СИМВОЛ 2013 ГОДАУКРАШЕНИЯ
КАРНАВАЛ НА НОВЫЙ ГОД РАСПРОДАЖА
Ортомолекулярная медицина Orthomol Устрание причин заболеваний. Ортомоль это новый метод для лечения и профилактики болезней. Orthomol - ортомолекулярная медицина.
Исследование лингвистической природы эпитета и его информативной значимости в художественной...

Example: he mou ai s were, i fac , oo dry. oo much of he world was i hospi able, i rac able. Why prove ha i had ever o ce bee gree ? he effor of comprehe sio was beyo d her. I he middle of owhere, high up, a soli ary lu a ic i her dry cra er he world was dryi g ou , a d every hi g she ouch would die. В рамках данного контекста прилагательное gree находится в позиции предикатной номинации, противопоставленной “не цветовым” предикатным номинациям оценочного характера i hospi able, i rac able, oo high, oo ho , oo dry. При анализе прослеживается четкая оппозиция “gree – dry” (dry cra er; he word was dryi g ou ). В результате эпитет gree обретает эмоционально-оценочный смысл высокой интенсивности “full of life, good o live i ”. Стилистический эффект актуализации прилагательного – цветообозначения gree в данном контексте на фоне “обесцвеченного” восприятия героиней мира – жестокого, непроходимого, безжизненного пространства – многозначен. (пример и анализ взяты из работы Е.И.Зимон: “Особенности стилистической актуализации прилагательных – цветообозначений в художественном тексте”).
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